I’ve recently returned to painting after many years away, using landscape as a way to relearn how I see. Because of my red–green colour-blindness, I’m exploring the woods and natural environments tonally rather than through representative colour, letting contrast, light and mark-making carry the image. The work is less about accuracy and more about finding a new visual language that feels true to my perception. I’m sharing the rough, awkward early pieces publicly, not because they’re resolved, but because persisting, documenting, and being accountable to the process matters more than producing something “finished.” It’s a journey back into painting, and I’m letting the learning show.
November 2025
Gouache on paper
22cm x 12cm
I’ve moved to a double-square format and kept things deliberately simple. As with the last two pieces, I’ve chosen an unremarkable view so I can focus fully on paint handling and colour. It feels like I’m heading in the right direction, so I’m sticking with it.
November 2025
Gouache on paper
25cm x 15cm
This painting is starting to make sense, and I feel like I’m remembering how to build an image again. I’ve chosen a spot in Priory Park that means something to me, hoping that emotional connection keeps me engaged. I’ve also gone for an otherwise unremarkable composition so I can concentrate on paint handling and colour.
October 2025
Gouache and pencil on paper
25cm x 15cm
An almost embarrassing first attempt, made with old brushes and tired paint. But it served its purpose; it showed me exactly what needed to happen next: invest in better tools and better materials.